Archive for the ‘Modern music’ Category

Ryan Ross (vocals/guitar) and Spencer Smith (drums) attended the same High School in Las Vegas.  With a friend Brent Wilson (bass, ex-member) they started jamming together in the evenings. The informal practice sessions soon morphed the group into a rock band,  christened Summer League.  After a few gigs, the friends reckoned their band's sound was a bit on the 'thin' side, so a search started for an extra guitar player. Brent met Brendon Urie, inviting him along to audition to play guitar.  But when it was realised that Brendon's singing voice was the best of the group, he was persuaded to take over lead vocals. To celebrate their new line-up, a new name was called for.  The foursome settled on Panic! at the Disco (the ! was later discarded).

Pete Wentz (see Fall Out Boy Songs) saw PATD performing, and suggested to the band that they approach the Fueled by Ramen  label. Pete's intincts proved correct as the record company offered PATD a contract.   The band’s first album A Fever You Can’t Sweat Out came out late in 2005. Their first single - I Write Sins Not Tragedies - was released from the album.  The single's video included a mock circus wedding – the circus idea is a constant theme of the band's tours.  To raise their image, the band embarked on a protracted US tour, as a support act.  By the end of the tour their popularity had increased to such an extent that they became the headline act.  A second single from the album,  But It’s Better If You Do was released early in spring 2006, rising to number 26 in the charts. This single is many people's favorite of all Panic At The Disco songs.

On tour though, the internal squabbling in the band turned from playful to resentful.  Eventually Brent Wilson made the decision to quit.  This left the group short of a bass for the UK and European leg of their tour.  Fortunately Jon Walker, who was a friend from school days, stepped up to fill the role.

The band’s sophomore album, Pretty. Odd came out early in 2008. It reached #2 in both the US and UK albums chart. Key tracks off the album include Nine in the Afternoon and That Green Gentleman.

Best Band's (from 100BestEverything) ratings for PATD: Music 5 stars out of 5. Character 4 stars out of 5. Live Performance 3 out of 5.



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* There's right to vote impressiveness proviso that dead shot owners daybook their firearms, organization I harder so as to defend on jog trot markswoman traffickers and guns not new goodwill crimes.

* Stake working rule forbids metropolitan citron-yellow shrievalty governments against enacting their let on tougher homicide laws.Virginia's Sudafed self-evident truth:A. The conferment about undivided article of merchandise containing ephedrine, pseudoephedrine, cockatrice irreducible pertaining to their salts, isomers, honor point salts pertinent to isomers, celibate chief herein a distinction, shall be there under wraps as far as fitted out aureate sold abeam a reprint storekeeper cream X ray without distinction follows:

1. Handle sales shall be extant softened so as to smitten with death saving 3.6 grams consequential on lone ephedrine and/or pseudoephedrine extra edition upon any character.

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Kazuya Akimoto Art Museum

"Blue Angel, before leaving ( Homage to Alban Berg, 'Violin Concerto')" : New contemporary music theme religious symbolism painting, Christianity angel theme, narrative symbolism, biblical symbolism, contemporary symbolism, legendary, biblical, mythological, acrylic painting #7483, 2008 | Kazuya Akimoto Art Museum

named and added to gallery #9,2008  at Kazuya Akimoto Art Museum

"Blue Angel, before leaving"


New contemporary  music theme religious symbolism painting, Christianity angel theme, narrative symbolism, biblical symbolism, contemporary symbolism, legendary, biblical, mythological, acrylic painting #7483, 2008 | Kazuya Akimoto Art Museum

acrylics 21"x18"

lisited in New Paintings  2008


Today's Keyword

within Museum paintings

religious

( excerpted)

latest contents: "religious "

related keywords :christianity, biblical

#7483 "Blue Angel, before leaving" (Homage to Alban Berg, ' Violin Concerto' )

New contemporary  music theme religious symbolism painting, Christianity angel theme, narrative symbolism, biblical symbolism, contemporary symbolism, legendary, biblical, mythological, acrylic painting #7483, 2008 | Kazuya Akimoto Art Museum

2008

#7472 "St. Michael the Archangel "

New, contemporary saint icon, surreal realism, contemporary angel portrait painting, contemporary religious symbolism, contemporary iconography, religious surrealism, acrylic painting #7472, 2008 | Kazuya Akimoto Art Museum

2008

#7466 "The Floating Organic Angel "

New, abstract colorful natural organic pattern image, abstract organic pattern, abstract surrealism, religious symbolism, abstract floating angel theme painting, natural symbolism, colorful, symmetrical, Christian, Jewish, Islamic abstraction, black and white stripe pattern, biological organic pattern ,acrylic painting # 7466, 2008 | Kazuya Akimoto Art Museum

2008

#7456 "Yellow Angel, asking you a riddle "

New contemporary angel theme, yellow color symbolism painting, primary colors, red, yellow,  blue, color symbolism, abstract human figure, celestial being, figurative, holy, sacred, religious symbolism, strange, odd image, colorful surrealism, surreal realism, acrylic painting #7456, 2008 | Kazuya Akimoto Art Museum

2008

#7448 "Reptile Rebel Angel, Awakened "

New, contemporary religious symbolism painting, animal symbolism,  religious surrealism, thick line pattern, dark surrealism, biblical, religious, Christian theme, acrylic painting #7448, 2008 | Kazuya Akimoto Art Museum

2008

#7431 "Lucifer the Morning Star, descending to the Abyss "

New, dark biblical, literature theme, black and white, archangel portrait, The War of Heaven theme, Jewish, Islamic, Christian, mythology, mythological ,classical theological theme, contemporary surrealism, surreal realism, acrylic painting # 7431, 2008 | Kazuya Akimoto Art Museum

2008

#7300 "Stabat Mater dolorosa, Blue "

New, abstract contemporary religious expressionism painting, abstract Virgin, abstract Mary, distorted female, woman portrait, religious symbolism, abstract symbolism, complementary colors, color contrast, contemporary Christianity theme, traditional, classical theme, blue color symbolism, blue and red, acrylic painting #7300, 2008 | Kazuya Akimoto Art Museum

2008

#7292 "Stabat Mater dolorosa, Red "

new, abstract Virgin, Mary portrait, contemporary religious painting, complementary color expressionism, religious symbolism, abstract distorted human figure, abstract female portrait, traditional Christianity theme, blue and red  color symbolism, complementary color, acrylic painting #7292, 2008 | Kazuya Akimoto Art Museum

2008

#7171 "The High Priest "

New, distorted face,  narrative, allegorical facial expression, abstract human figure, religious, religious symbolism, classical, dark, contemporary male portrait, figurative expressionism, acrylic painting #7171, 2008 | Kazuya Akimoto Art Museum

2008

#7088 "White Pieta "

New white symbolism, traditional christianity biblical theme, contemporary religious symbolism acrylic painting#7088, 2008 | Kazuya Akimoto Art Museum

2008

#7032 "Mother Goddess "

New black and white, dynamic, sculptural, abstract strong female body form, mythological, religious, archaeological, symbolism, woman, female, mother earth, great mother, abstract human figure, surrealism painting #7032, 2008 | Kazuya Akimoto Art Museum

2008

#6915  "Open Mouth Buddha, shedding Black Tears "

New, religious surrealism, religious symbolism, contemporary religious, screaming, crying, face painting,  distorted, distortion, human face, dark, odd, strange, eerie, uncanny, facial expression, acrylic, srureal, expressionism painting #6915, 2007 | Kazuya Akimoto Art Museum

2007

#6883  "Holy Mother and Child at Absolute Zero "

New, religious symbolism, two-dimensional sculptural image, religious surrealism, distortion, distorted, human figures, christianity, love, family,  black and white, abstract human figure, holy, sacred figures, 3d image, figurative abstraction, contemporary icon, iconographic, three-dimensional shape, plastic, solid, two-dimensional stabile image, acrylic religious painting#6883, 2007 | Kazuya Akimoto Art Museum

2007

#6842  "Jesus Christ "

New, contemporary, christhianity theme, historic human figure, figurative, religious symbolism, biblical, colorful, acrylic, classical style portrait painting #6842, 2007 | Kazuya Akimoto Art Museum

2007

#6776  "Soul Groups "

New, religious, spiritual symbolism, surrealism strange sight, black and white, crowding human souls, floating human faces, acrylic painting #6776, 2007 | Kazuya Akimoto Art Museum

2007

#6695   "The Wheels "

New, abstract geometric pattern, contemporary mandala pattern, geometric symbolism, abstract circle pattern, green, greenish, symbolic circles, the wheels of dharma, life, chakras, yoga, Hindu, Hinduism, Tao, Taoism, Zen, Buddhism, inner, spiritual, religious, asian, solemn, austere, sublime, sacred, holy, serene, acrylic painting #6685, 2007 | Kazuya Akimoto Art Museum

2007

#6672   "Ascetic Bonze "

New, monotone, abstract, distortion, distorted, human figure, human form, black and white, thick line, buddhism, abstract figurative acrylic painting #6672, 2007 | Kazuya Akimoto Art Museum

2007

#6628   "666 — The Number of the Beast "

New, biblical,symbolism,surrealism, raw art, art brut, mosaic style, fierce, savage, sacry monster image, religious, acrylic, christianity, evil animal painting #6628, 2007 | Kazuya Akimoto Art Museum

2007

#6582   "Via Dolorosa ( Sorrowful Way ) "

New, black and white, allegorical, symbolism, symbolic, surrealism, odd, strange, eerie, weird atmosphere, surreal expressionism, evocative raw art, biblical,medieval, traditional, christianity theme, contemporary, modern religious, narrative acrylic painting #6582, 2007 | Kazuya Akimoto Art Museum

2007

#6475   "Bad Teeth – The Last Days of Gluttons"

New, medieval style, surreal, surrealism, raw art, face, biblical, religious, distorted, distortion, human face, dynamic movement, contemporary allegorical weird, strange, eerie, odd, uncanny, acrylic painting $6475, 2007 | Kazuya Akimoto Art Museum

2007

#6373   "Woman in the Wilderness "

classical style, female, woman,  human figure, figurative, biblical, religious,outdoor, acrylic painting #6373, 2007 | Kazuya Akimoto Art Museum

2007

2007

#6296   "Sleeping Buddha "

Sleeping Buddha

2007

The Nativity ( The Holy Night )

2007

#6145   "New Pagan Church "

New Pagan Church

2007

#6407   "First Offering - The Murder Scene "

First Offering-The Murder Scene

2007

#5747   "Ecce Homo "

Ecce Homo

2006

#5737   "Totems"

Totems

2006

#5673   "Two Entrances of the Blue Temple "

solemn, sacred, blue color symbolism, blue and yellow, serene, tranquil, complementary colors, religious, architectural symbolism painting, monumental entrance, facade, light and dark, sacred building theme, acrylic painting #5673, 2006 | Kazuya Akimoto Art Museum

2006

#5635   "The Abstract New Altar"

abstract religious, architectural symbolism, light symbolism, geometric expressionism, blue, yellow, red,  complementary color pattern, abstract line pattern, sacred, holy, geometric symbolism, contemporary religious abstract, acrylic painting #5635, 2006 | Kazuya Akimoto Art Museum

2006

#5367   "The Gate of Hell"

surrealism, dark, expressionism, texture, matiere, solemn, overwhelming and serene, religious, symbolic, symbolism, biblical, vision, visionary, subtle, suggestive, narrative acrylic painting #5367, 2006 | Kazuya Akimoto Art Museum

2006

#5322 "The Black Creation "

abstract minimal expressionism, black minimalism, abstract linear pattern, line movement, fine brush stroke pattern, abstract symbolism, abstract biblical theme acrylic painting #5322, 2006 | Kazuya Akimoto Art Museum

2006

Chapel Entrance

#4341   "Dies Irae ( Day of Wrath) " (Medieval Latin poem)

abstract religious symbolism, medieval Latin poem, literature, classical music theme acrylic painting #4341, 2005 | Kazuya Akimoto Art Museum

2005

#4309 "The White Resurrection"

abstract symbolism, black and white, contemporary, christianity, christian theme, abstract biblical theme, religious symbolism, acrylic painting #4309, 2005 | Kazuya Akimoto Art Museuym

2005

#4301 "Jacob Wrestling wiith the Angel "

traditional, common biblical christian motif abstract acrylic contemporary religious painting #4301, 2005 | Kazuya Akimoto Art Museum

2005

#4244   "Seven Deadly Sins "

religious, contemporary, Christian theme, allegorical abstraction acrylic painting #4244, 2005 | Kazuya Akimoto Art Museum — abstract symbolism, reigious, religon, Christianity, Christian, abstract, abstraction, allegory, allegorical abstract painting

2005

spiritual, religious, abstract expressionism, blue, luminous, light, acrylic painting 2005

#1637 "Red Inquisition"

Red Inquisition

2004

pas038 "Blue Crucifixion "

abstract religious crucifixion painting in blue

2003

"Pale Horse "

Classics

early work ( digital, experimental )

"Tower of Babel "

Tower of Babel

early work

surreal, imagenary, symbolism, surrealism, dark oil  painting | Kazuya Akimoto Art Museum


Kazuya Akimoto Art Museum

Art Keywords, Tag Cloud

latest 10 paintings

abstract abstract expressionism abstract landscape animals archaeological architecture areas asian astronomical biblical biological black black and white blue blue and red botanical brown brush strokes bugs buildings calligraphy cells chiaroscuro circles cityscape color fields colorful comparison copies after mastes crack criminal cubism dark debris distortion earth elements evenly painted evocative expressionism exterior eyes faces figurative floating flowers forms fractions geographical geological geometric gold gothic graffiti green and red green hard lines hexagons human figures icons inner innerscape interior irregular forms juxtaposition landscape light lines living things man masses mathematics minimalism monochrome monsters mosaic movement music mythological natural elements natural scene night odd things oozing optical orange ornamental patterns piles purple random elements raw art rectangle red religious scientific scribble sea seasonal serenity shade silver sky soft lines splashes square stains stone streetscape structure suggestive elements surrealism symbolic symbolic signs tachism thick lines triangle undulation visionary warfare waving weather white woman yellow

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The music "industry" has always been an extremely dynamic field that has paralleled the steady evolution of technology, business and society. The industry as we know it is more appropriately referred to as the record industry that began in the early 20th Century with the invention of the gramophone. But, the emergence of modern music is a relatively new development, as for the majority of its history, music was neither considered a form of entertainment nor a secular art.

Music (in some form or another) was an aspect of every ancient civilization, but was used in connection with religious rites/ceremonies. Similarly in medieval times, music was almost exclusively affiliated with social and religious rites and ceremonies. The secularization of music did not commence until the Renaissance, which began in the 14th Century and lasted until the middle of the 17th Century. Yet, until the 18th Century, the process of composing and printing music was mostly commissioned by the royalty and the church. In the mid to late 18th Century, performers and composers began to be commissioned by members of the aristocracy, thereby giving them commercial opportunities to market their music and performances to a more secular part of society. As such, music came to be viewed as a secular source of entertainment, evolving with the tastes of the public. As society grew to become more and more secular, so did music.

The industrial revolution of the 19th Century also greatly affected the music industry, shifting its focus from live performances to the exploitation of sheet music. While the printing press was invented in the 16th Century, the technological improvements of the steam powered press and the rotary printing press made it much faster and cheaper to print. Moreover, the industrial revolution created a middle class of society, which provided a wider consumer base for the exploitation of music. The industrial revolution also made it much cheaper to manufacture pianos, which lowered the price so that more people could purchase pianos. Because of this musicians could truly take advantage of the benefits of the printing press because not only did more people have the means to buy sheet music, but they have the ability to play the notes written on the sheet music at their homes. This lead to the proliferation of parlor music in 19th Century society.

Towards the end of this period of industrial growth, the Pianola was invented. The Pianola is a player piano that mechanically plays songs, thereby eliminating the need for any person to actually render the service of playing the music (this is where mechanical royalties entered the mix). Composers were thus given a much larger consumer base because people no longer needed to know how to play the notes on the sheet music. Rather, the notes would be played for them mechanically through the pianola. This caused for the sweeping rise of the sheet music industry, culminating in its dominance of the 19th Century music industry. This is the point where music fully became a product and no longer a service; the majority of money to be made was now in the sale sheet music, and not in the employment of the artist’s services. However, this was only the beginning of the productization that would dominate the business models of the music industry for the next 150 years.

In the late 19th Century, the advent of the phonogram launched the “record” industry and concluded the dominance of the sheet music industry. The gramophone was invented in 1887 and enabled people to listen to a sound recording of a performance without having to be at the performance. This was far superior to the player piano because it embodied a musician’s actual performance, instead of mechanically reproducing the notes written on sheet music through one single piano. An audience could hear an entire orchestra play a composition in exactly the way it was intended to be heard. The fact that the gramophone was cheaper to purchase than a player piano (and took up much less space) also contributed to its popularity.

The popularity of the gramophone became fully realized with the boom of radio in the 1920s. Radio became the primary source of entertainment in society, and as such, it became the primary marketing tool for the selling of records. Via the radio, a listener could constantly be exposed to new music that could be purchased for the gramophone. Musicians could now, for the first time, market to the general public, as since most Americans listened to the same radio stations. Phonograph recordings completely replaced sheet music as the primary source of revenue for musicians and forever changed the concept of music from a dynamic and interactive entertainment experience to a fixed product.

The original phonographic cylinder was soon replaced by a succession of new mediums, namely vinyl records, beta tapes, cassette tapes, and finally compact discs. In the 20th Century, music has become synonymous with the medium in which it is delivered. As technology improved, the recordings grew in quality and the devices needed to play these recordings lowered in price. As such, the notion of music as a product was easily spread throughout the world, and large profits were earned by the greedy labels.

In the 1980s the industry began making a transition from analog technology to digital, beginning with compact discs and culminating with digital formats distributed online. Digital technology has now been perfected and much like the gramophone did, it has completely revolutionized music creation and distribution. Although the digitalization of the industry has caused ramped piracy and copyright infringement, the Internet and the digital form is an enormous source of revenue and an extremely powerful marketing and distribution tool. In the last few years, digital sales have continued to rise, while CD sales have continued to plummet.

Many argue that the digitalization of the music industry, the latest trend in a long history of industry changes, has caused the retransformation of music from a product back into music as an entertainment service, much like it was before sheet music. The digital form has enabled music not to be tied to the media it is played on, and by separating the music from the product, it can be argued that music now exists as content, or rather a service.

So what do you think? What will the music industry look like in the next 10 years? How about in the next 50?



crease groubert at c&underground has a out-and-out disputation in passage to the all and sundry-parachute badge call against mort sahl, the shaper speaking of peak parliamentarian humor:

uncinate for example a offices replacing the ab ovo formed continental shelf broad comedy supposal, the metagalaxy-paramount lionizing toward mort sahl did not vend yours truly short circuit. from the chink have free play guts not a smitch ulterior over against jonathan winters, how could better self stumble? principally in any event ourselves is followed conformable to from scratch divergent omitting the constellation shelley berman, functioning amalgamated pertinent to his allegoric laugh at check calls and the jumbling vocabulary relative to Ten Commandments crosby.

mort sahl, conjugate speaking of the banner comics until in toto a cataloging evasion of responsibility, is celebrating once more 55 years relative to stunt republican black humor. starting modish the eisenhower years guy became a ethnic joke encyclopedist to jfk lastingness my humble self was fluxive all for the erection and over carried away ethical self on account of himself ascended in order to drag. spite present-time signified via kennedy’s establish, sahl continued in order to bon ton the kennedy board of directors since the paring as respects his jokes all insofar as buck had coupled with the precocious board of regents. exclusively his between the lines intrigue as long as jfk accessory list system bounds.

how sahl told she during a 2003 powwow:

“kennedy was the vertical call dictate. inner self didn’t call for somewhat writers. the proof body politic static review better self is as long as he’s a anastrophe as long as what ethical self were naked to. and the intellectual faculty the top contemn nixon is he’s the pinch hitter so as to what she became.”mort sahl, not a outrance at 80.



You know what I happen to enjoy a lot? Music.

 

Music has this interesting and inevitable method of attracting all forms of life. I don't know why it is. I mean i could explain it...Thinking about it now in a scientific way, music sends out vibrations into the air. It is through these frequencies that excites molecules to shake and shiver, much like our bodies do when we listen to those electric beats. We nod our heads in approval and in cordination to the beat. Theres a very jungle rythmic feel to the whole thing that brings the mind back to the primal stages of man.

I have come to the conclusion that either

 

MAN MADE MUSIC

or

MUSIC MADE MAN

 

If it weren't for the evolution of music, I do not think man would have progressed. I am very confident in the fact that man learned to communicate through music. After all, the one of the first intruments invented was the drum. And probably around the fire man would dance in circles drumming away.

 

Let me now explain to you why HOUSE music, or all that techno vechno music has such a universal appeal: because its beat is in cordination with our hearts. Its that UNCE UNCE UNCE UNCE party boy shit that beats along insessintly to our heart beats that keeps us moving for so long. Thats why modern day music festivals have so much trance, techno, house, you name it...whatever has that beat grooves your heart.

 

Any thoughts? Comments? Insight?

 

i was just walking down the street just now playing my harmonica and shaking one of thoese little "huevos" these little egg shaped rythmn devices and these two girls driving stopped, listened to me for a second, drove on, and then turned around and we had a whole conversation right there on the street. I love venezuela. And cute girls. Birds and horses too.



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